that Steiner created a theme for each character in a film, Steiner's music developed themes to express emotional aspects of general scenes which originally lacked emotional content. Lisamarie Johnson - Sensual and friendly companion Luscious Lacey - Fun, Fit, Flirtatious! Ford even asked his screenwriter to meet with Steiner during the writing phase to collaborate. Steiner was the only composer Selznick considered for scoring the film. Then I time it: not by stop watch, however, as many. Steiner designed a melodic motion to create normal-sounding music without taking too much attention away from the film. 26 He is entombed in the Great Mausoleum at Forest Lawn Memorial Park Cemetery in Glendale, California. 25 A good example of how the characters and the music worked together is best exemplified by his score for The Glass Menagerie (1950 2 For the physically crippled heroine, Laura, Steiner had to "somehow capture in sound her escape from the tawdriness of reality. Steiner portrays this scene through the jangling of wind chimes which crescendos as the wife emerges through opium smoke. 23 :57 However, because half of the music was recorded on the set, Steiner says it led to a great deal of inconvenience and cost when scenes were later edited, because the score would often be ruined. Theyre also desired because they go against the status quo. Steiner would typically wait until the film was edited before scoring it, and after watching Casablanca, he decided the song " As Time Goes By " by Herman Hupfeld wasn't an appropriate addition to the movie and he wanted to replace it with a song.
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